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8 January 1836 – 25 June 1912. Most renowned painters.

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Nicolas-Antoine Taunay
Le Theatre de la Folie

ID: 85244

Nicolas-Antoine Taunay Le Theatre de la Folie
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Nicolas-Antoine Taunay Le Theatre de la Folie


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Nicolas-Antoine Taunay

painted Le Theatre de la Folie in 1805(1805) until 1810  Related Paintings of Nicolas-Antoine Taunay :. | Le Theatre de la Folie | Bivaque dos sans culottes | Small Cascade in Tijuca | Le bivouac des sans coulottes | Le Theatre de la Folie |
Related Artists:
CHARONTON, Enguerrand
French Northern Renaissance Painter, ca.1420-1466
Vasily Vereshchagin
(Russian: October 26, 1842 - April 13, 1904) was one of the most famous Russian battle painters and one of the first Russian artists to be widely recognized abroad. The graphic nature of his realist scenes led many of them to never be printed or exhibited. Vereshchagin was born at Cherepovets, Novgorod Governorate, Russia in 1842 as the middle of three brothers. His father was a landowner of noble birth. When he was eight years old he was sent to Tsarskoe Selo to enter the Alexander Cadet Corps, and three years later he entered the Sea Cadet Corps at St Petersburg, making his first voyage in 1858. He served on the frigate Kamchatka, which sailed to Denmark, France and Egypt. Vereshchagin graduated first in the list at the naval school, but left the service immediately to begin the study of drawing in earnest. He won a medal two years later, in 1863, from the St Petersburg Academy for his Ulysses Slaying the Suitors.
Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,






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